Little Tremors, a piece from my new body of work Earthquake Weatheris hanging this month at Waterstone Gallery. During the month of June I’ll be exhibiting 21 new paintings at the gallery. These vibrant acrylic paintings were inspired by a trip I took to the John Day Fossil Beds National Monument last fall. I was struck by the rich, natural palette of reds, ochres and blues of this majestic and mysterious landscape.
Finished – 30″ x 40″ acrylic painting on museum board mounted on wood panel. Whenever I am starting a new series it’s always a struggle to get the first painting finished. I am often unsure of what direction I want to go in and there are many starts and stops. I am excited to keep working and see where this painting leads me.
I’ve got ten big panels prepped and one painting finished for my upcoming show in August. I’ll be showing paintings at the West Linn Public library and I have a big space to fill. I optimistically planned on finishing three paintings a month during the next 6 months. Ha! My process is SLOW…first there is the underpainting. Next, progress with pretty colors and shapes, then a destructive phase to mess-up all the pretty. And lastly, a fix-it stage (more about my process later). Oh, and besides my process, life gets in the way too. Realistically, I’m hoping for 9 finished pieces. Wish me luck.
I just finished an edition of a new artist’s book that I like a lot. It’s been a long while since I’ve worked in multiples. I usually create one-of a-kind pieces, but for Submerged, I decided to push myself and make more than one copy. Three to be exact – a very small, hand-painted, variable edition. There is something so beautiful and satisfying in creating multiples of something. A clean stack of cut boards, three folded spines, identical clamshell boxes and fifty-four hand-painted pages.
On a recent trip to the Bay Area, I had the pleasure of visiting book artist Macy Chadwick in her Oakland studio. She was hard at work on Observations of Listening, a collaboration with artist Jen McKnight. As her press name suggests, Macy loves collaborating with other artists and I found evidence of this scattered throughout her cozy backyard studio. Images, notes and letters from her peers decorated her studio walls. Macy welcomes collaborations because of the energy it brings to her art and states that “it’s a visual conversation with other artists”. Macy and I collaborated on a project several years ago and it was a fantastic experience which I hope to repeat!